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Poetry did not kill Renee Good.
Hate did.

you are welcome here

Disruptive Poets exists because a lie is being told loudly and often:
that art, queerness, truth-telling, and resistance are dangerous.
That poets provoke violence simply by speaking.

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We reject that narrative.

 

Renee Good was murdered because of hate.
 

Not because she wrote poems.
Not because she used her voice.
Not because she refused to be small.

 

This space is a living archive of voices that refuse erasure.
A gathering place for poets, writers, and artists whose work unsettles systems of power.

 

A reminder that disruption is not violence — silence is.

Welcome
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Our Purpose

Disruptive Poets is a collective platform that:

     Centers writers targeted by political rhetoric and cultural erasure

     Preserves work that challenges authoritarian narratives

     Responds in real time to attacks on artists, educators, and marginalized      

          communities

     Refuses to let victims be blamed for their own oppression

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This site will grow and change as the political landscape demands. Because silence is not an option.

Why “Disruptive”?

Because we are told:

to tone it down.    

to be grateful.    

to be palatable.    

to be quiet.    

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Disruptive is what they call you when you refuse to disappear.

We reclaim the word.

What You’ll Find Here

     Featured poets responding to current events

     Rotating collections centered on resistance and survival

     Memorials to writers lost to violence

     Calls for submissions

     Political responses in verse

     Community statements

     Resources for action

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This is not a static site.
This is an evolving record of dissent

Submit Your Work
If your writing has ever been called:

too political.     

too angry.     

too queer.     

too loud.     

too much.    

 

We want it.

Our Purpose
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Recent Poems

MANS/LAUGHTER

after Olivia Gatwood

 

By: Airea Johnson

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After school, on the bus,

I sit next to a boy from class.

Dorito dust covers his fingers

when he shoves his hands down my shirt,

the crimson sand stains my training bra.

He laughs, wipes his hands

on his pants.

That same year,

I listen to a lot of Eminem,

his silly skits about killing

his ex-wife Kim. In one song,

he pulls her out of the house

by her hair, throws her in a trunk,

leaves her to die, laughs so hard

her screams white noise, break lights.

Men invent new ways, new places

to murder women every week.

This time, a woman observes

an enforcement operation

from her car, smiles at the man

holding the gun, tries to leave

 

he shoots her three times:

     her arm

          her heart

               her head

 

Fucking Bitch

he says, wipes the blood

from his face

after the kill

(on the execution of Alex Pretti)

 

By: Heather Emmerson

 

do not

     believe

tales from

     predators

after a fatal

    attack.

 

do not

     believe

the blood

     on the snow

was justifiably

     spilled.

 

do not

     believe

the hunters

     who would

make you their

     next prey.

 

do not

     believe

the killing

     will end

if silent

     we remain.

Recent Poems

Submission Guidelines

SUBMISSIONS

Disruptive Poets accepts:

  • Poetry

  • Hybrid work

  • Micro-essays

  • Manifestos

  • Visual poetry

  • Collaborative pieces

  • Political responses

  • Grief work

  • Rage work

  • Joy as resistance

If you’ve ever been told your writing is:

  • too political

  • too queer

  • too angry

  • too loud

  • too much

Send it anyway.
Especially then.

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HOW TO SUBMIT

📩 Email your work to:
disruptivepoets@gmail.com

Attach your piece(s) as a PDF or paste them in the body of the email.
Include:

  • your name (or pseudonym)

  • pronouns (optional)

  • a short bio (optional but loved)

  • social links if you want to be tagged

There is no reading fee.
There will never be a reading fee.
Capitalism has already taken enough from poets.

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RESPONSE TIME

Look — I’ll get your work up as soon as I humanly can.

This is a passion project run by one tired academic with a laptop and a righteous grudge.
There is no staff.
There is no budget.
There is only me, caffeine, and a deep commitment to not letting your work disappear.

If it takes a minute, it’s not personal.
It’s just late-stage capitalism.

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RIGHTS

You keep all rights to your work.
Always.

We are not here to own you.
We are here to amplify you.

You are free to:

  • publish it elsewhere

  • submit it to journals

  • put it in a book

  • tattoo it on someone’s back (your business)

All we ask is:
If you publish it again,
give Disruptive Poets a shout-out
so more writers can find us.

Solidarity economy, baby.

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A NOTE ON EDITORIAL FIT

We will not publish:

  • hate speech

  • TERF nonsense

  • racism

  • misogyny

  • ableism

  • fascist apologia

  • victim-blaming

This space is curated.
Not neutral.

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FINAL WORD

If your poem scares someone in power,
you’re doing it right.

Submission Guidelines
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