top of page
Unknown7.jpeg

Poetry did not kill Renee Good.
Hate did.

you are welcome here

Disruptive Poets exists because a lie is being told loudly and often:
that art, queerness, truth-telling, and resistance are dangerous.
That poets provoke violence simply by speaking.

​

We reject that narrative.

 

Renee Good was murdered because of hate.
 

Not because she wrote poems.
Not because she used her voice.
Not because she refused to be small.

 

This space is a living archive of voices that refuse erasure.
A gathering place for poets, writers, and artists whose work unsettles systems of power.

 

A reminder that disruption is not violence — silence is.

Welcome
Unknown4.jpeg

Our Purpose

Disruptive Poets is a collective platform that:

     Centers writers targeted by political rhetoric and cultural erasure

     Preserves work that challenges authoritarian narratives

     Responds in real time to attacks on artists, educators, and marginalized      

          communities

     Refuses to let victims be blamed for their own oppression

​

This site will grow and change as the political landscape demands. Because silence is not an option.

Why “Disruptive”?

Because we are told:

to tone it down.    

to be grateful.    

to be palatable.    

to be quiet.    

​

Disruptive is what they call you when you refuse to disappear.

We reclaim the word.

What You’ll Find Here

     Featured poets responding to current events

     Rotating collections centered on resistance and survival

     Memorials to writers lost to violence

     Calls for submissions

     Political responses in verse

     Community statements

     Resources for action

​

This is not a static site.
This is an evolving record of dissent

Submit Your Work
If your writing has ever been called:

too political.     

too angry.     

too queer.     

too loud.     

too much.    

 

We want it.

Our Purpose
Unknown6.jpeg

Recent Poems

May Her Memory be a Battle Cry

For Renee Nicole Good

                              By: MG Gainer

​

How does one be a poet

at the fall of America?

Do we chronicle the crimes—

hold them up to the light of a million screens?

Do we rebuke the criminals, the dictator and the despots?

Do we dare to name the name

sin this cyber-connected citadel?

Paper bodies might be traced back to us

hunkering behind these speaking personae.

Do we dare?

     Or

Do we put our corporeal selves

     On the line

     In the street

     In the line of fire?

Because our sister has done.

And we are using her blood for our ink,

but our tears will not wash away these sins.

For Renee.

                       By: Kai Coggin

​

This morning in Minneapolis ice agents murdered a poet. Renee Nicole Good age 37, a mother, a poet, shot in the face three times at point blank range by an ice agent claiming self defense, and already the propaganda machine spins it into an act of domestic terrorism on the part of GOOD, domestic terrorism on the part of the heart of a poet trying to drive away from an invasion of 2000 ice agents on their city, shot in the face three times in front of her wife, screaming into the brutal cold air.

 

What has this country come to? How can we keep unbecoming? What is the threshold of violence that will finally beg us to stop? Neighbors standing in the bloodsoaked snow filming the murder of their neighbor, a woman shot in the face. A woman named GOOD shot in the face three times, a woman named GOOD who wrote poems and stood for other peoples lives and blockaded to aid her brown neighbors, protested for democracy, was shot in the face three times at point blank range and the department of homeland security is calling her the terrorist, is taking her name GOOD and rhyming it with dead, shot in the head, execution style in front of her friends and neighbors and wife and dog. Her mother said she was the kindest woman she’d ever known and her blood stains the snow on this January day, a day after the anniversary of the insurrection on our capitol, January 6th five years ago, January 7th today, and those same masked marauders are now given guns, ripping people out of their homes and shooting GOOD poets on the street, blood soaked snow, flowers stuck in the snow, her car driven into a pole. Her body slumped over, 37, Renee Nicole GOOD, age 37, a poet, a wife, a wife to a wife shot dead, shot in the head by our country, by our deadly democracy, by our fascist regime that continues to steal power and colonize our bodies and terrorize our neighbors—when will we reach the end of this nightmare? How much rage can we hold in our cells until we explode? I’ve dissociated from the dismantling of constitutional law, the days and days have faded to grey in my consciousness but this shakes me awake again with the rage of a poet. The rage of a poet who lost her words today, Renee Nicole Good.

 

I don’t know how to make sense of this news today, Wednesday, a poet named GOOD shot dead, shot three times in the face at point blank range, 4/5 of a mile away from where George Floyd was killed, cycles and geography and tipping points in the eye of a hurricane centered again around Minneapolis, and hopefully a country I once loved will rise again with the same sort of rage and defiance against our own destruction.

 

Maybe a poet named GOOD, a woman, a mother, a middle-aged gay white woman with stuffies tumbling out of her glove box, who should not have been killed today, will live on just as George Floyd did, as a spark to flame the winds of change

 

and burn the ICE down.

Recent Poems

Submission Guidelines

SUBMISSIONS

Disruptive Poets accepts:

  • Poetry

  • Hybrid work

  • Micro-essays

  • Manifestos

  • Visual poetry

  • Collaborative pieces

  • Political responses

  • Grief work

  • Rage work

  • Joy as resistance

If you’ve ever been told your writing is:

  • too political

  • too queer

  • too angry

  • too loud

  • too much

Send it anyway.
Especially then.

​

​

HOW TO SUBMIT

📩 Email your work to:
disruptivepoets@gmail.com

Attach your piece(s) as a PDF or paste them in the body of the email.
Include:

  • your name (or pseudonym)

  • pronouns (optional)

  • a short bio (optional but loved)

  • social links if you want to be tagged

There is no reading fee.
There will never be a reading fee.
Capitalism has already taken enough from poets.

​

​

RESPONSE TIME

Look — I’ll get your work up as soon as I humanly can.

This is a passion project run by one tired academic with a laptop and a righteous grudge.
There is no staff.
There is no budget.
There is only me, caffeine, and a deep commitment to not letting your work disappear.

If it takes a minute, it’s not personal.
It’s just late-stage capitalism.

​

​

RIGHTS

You keep all rights to your work.
Always.

We are not here to own you.
We are here to amplify you.

You are free to:

  • publish it elsewhere

  • submit it to journals

  • put it in a book

  • tattoo it on someone’s back (your business)

All we ask is:
If you publish it again,
give Disruptive Poets a shout-out
so more writers can find us.

Solidarity economy, baby.

​

​

A NOTE ON EDITORIAL FIT

We will not publish:

  • hate speech

  • TERF nonsense

  • racism

  • misogyny

  • ableism

  • fascist apologia

  • victim-blaming

This space is curated.
Not neutral.

​

​

FINAL WORD

If your poem scares someone in power,
you’re doing it right.

Submission Guidelines
bottom of page